雕像也会死亡剧情简介
《雕像也会死亡》（Les statues meurent aussi，阿兰·雷乃、克(kè )(🎾)里斯·马(⏬)尔凯，1953年出品，27分钟）尖(🤷)锐地批评了西(👁)方殖(💆)民主义对非洲传统(tǒng )艺(yì )术(🛺)的戕(🎿)害(hài )以及自称(chēng )热爱非(fēi )洲艺(🖍)术的(🐶)上等阶层的(de )贪(tān )(🤷)婪与(💞)伪善。本(běn )片的主角是来(lái )自黑(🛑)非洲的人物雕像(xiàng )、面具和其他非洲(zhōu )艺术品，但是(🏂)它们的(🤸)演出场(㊙)所并(bìng )非黑人的(de )(🎾)故乡(xiāng )，而是白(🤷)人的欧(ōu )洲，艺术(⛳)品市场和艺术品(🎋)拍卖会是它们频(pín )频出没和滞留的中转地。这(zhè )些本(🍑)来被非洲部族用来抵抗死亡(wáng )的面具和雕像，如今却呆在博物馆的橱(chú )(🏒)窗(chuāng )里(💿)静静(jìng )地死去。此时(shí )，画(huà )外音(👌)告诉我们(men )：“当(💸)人死(🐞)去的时候，他便进入了历(👄)史；当这些雕像(🚡)死去的时候，它们进(jìn )(👛)入了艺(yì )术(shù )(🎦)；这(🚻)种(🍺)关(🔪)于死亡(wáng )的学问，我们最后称(🕺)之为文化。”由于(yú )(🏸)本片具有(yǒu )鲜明而强烈(🐈)的社会批(pī )判意识，自拍竣(💛)之日(😲)起即遭(🏡)到法国(🈸)政府禁(🛌)映(🍾)，直(🎞)到(dào )1963年才(cái )解(jiě )(🍉)禁。本片(🌒)由长于剪辑的(🐸)阿兰(🕌)·雷(léi )乃操刀剪辑，由(yóu )强于写作(⏭)的克里斯·马尔凯撰写(🐼)解(🕤)说，充(🖥)分发(fā )挥了两(liǎng )人(rén )各(gè )(🎆)自的(de )强项，可谓强强合作的结晶(jīng )(❗)。
This collaborative film, banned for more than a decade by French censors as an attack on French colonialism (and now available only in shortened form), is a deeply felt study of African art and the decline it underwent as a result of its contact with Western civilization. Marker's characteristically witty and thoughtful commentary is combined with images of a stark formal beauty in this passionate outcry against the fate of an art that was once integral to communal life but became debased as it fell victim to the demands of another culture.
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