雕像也会死亡剧情简介
《雕像也(yě )会(huì )死亡》（Les statues meurent aussi，阿兰(🗼)·雷乃、克(kè )里斯·马尔(🎲)凯(kǎi )，1953年出(🚤)品，27分钟）尖锐地(dì )批评了西方(fāng )殖民(mín )主义(yì )对非(fēi )洲(zhōu )传(chuán )统艺术的戕害以(yǐ )及自称(🍮)热爱(🙁)非洲艺术的上等阶(jiē )层的贪婪与(yǔ )伪善(🚢)。本(běn )片的(🚣)主角(🥁)是来(lái )自(zì )黑非洲的人物(wù )(❔)雕像、(🌑)面具和(hé )其他(tā )非洲艺术品，但(dàn )是它(tā )们的演(yǎn )(🌞)出场所(👓)并非黑(💪)人的故乡，而是白人(👃)的欧(ōu )洲，艺术品市(shì )场和艺(yì )术(🤳)品拍卖会(🐀)是它们频频出没和滞留的中(❕)转(zhuǎn )地。这些本(běn )来被非(fēi )洲部(bù )族用来(🈸)抵抗(🏻)死亡的面(miàn )具和(hé )雕像，如今(jīn )却(què )(🚶)呆在(📟)博物馆的(de )橱窗里静静地死(sǐ )去(qù )。此(cǐ )时，画(📛)外音告诉(sù )我们：“当人(🥅)死(🐞)去的(de )时(shí )候，他便进(🌂)入了历史(shǐ )；当这些(💣)雕像死去的时候，它(🍁)们进(👛)入(🕕)了艺术；(📤)这(zhè )种(zhǒng )(🍺)关于死亡的学(xué )问，我们(men )最(📬)后称(chēng )之为文化(huà )。”由(yóu )于本片具(jù )有鲜明而强烈的社会批判(💕)意识，自拍(🖱)竣(jun4 )之(👼)日(😲)起即遭到法国政府(🛃)禁(🛌)映，直到(🚓)1963年才(🏗)解禁。本(běn )(🐣)片(🌒)由长于剪(🏖)辑(🍝)的阿兰·雷(léi )(👔)乃操刀剪辑，由强于写作的克里斯·马尔凯撰(👧)写解说，充分发(🌲)挥了(👅)两人各自(zì )(🌶)的强项(🔰)，可谓强(qiáng )强合作(🧔)的结(👎)晶。
This collaborative film, banned for more than a decade by French censors as an attack on French colonialism (and now available only in shortened form), is a deeply felt study of African art and the decline it underwent as a result of its contact with Western civilization. Marker's characteristically witty and thoughtful commentary is combined with images of a stark formal beauty in this passionate outcry against the fate of an art that was once integral to communal life but became debased as it fell victim to the demands of another culture.
《雕像也会死亡》相关作品
其他周榜单